Best Wireless Headphones | Macworld

Sennheiser recently updated its popular CX True Wireless earbuds with this new model called the CX Plus, which adds noise cancellation and support for AptX, while still keeping the price down to $179/£129 (in the US it’s discounted to $129.95 right now). The CX Plus has the same rather bulky design as its predecessor – which remains on sale for £119 – but that’s a minor complaint, and the attractive sound quality and effective noise-cancellation features represent great value for money.

The size of the earbuds also means that they have room for a decent size battery, lasting for around eight hours on a single charge. Using noise-cancellation cuts that down by about an hour, but the charging case lets you recharge the earbuds two more times, so you’ll get 21-24 hours of music depending on usage, making the CX Plus a good option for long journeys. Regular travellers will also appreciate the noise-cancellation features, which do a good job of blocking out background noise. The Sennheiser app provides some simple EQ controls and, as well as the transparency feature provided by many headphones, the app also allows you to create and save sound zones for specific locations, such as the gym or on a train, that have their own customized settings.

The CX Plus supports both Apple’s AAC for Bluetooth, and AptX for Android devices, and sound quality is really good for earbuds in this price range. Blondie’s Rapture kicks off with a crisp, sharp cymbal crash and the CX Plus delivers the song’s catchy bass line with a hip-swaying rhythm. It’s a very precise sound too, catching all the little background details such as the ticking percussion and jangling rhythm guitar. The charging case doesn’t support wireless charging, but that’s an acceptable compromise at this price, and the CX Plus stands out as a really good all-round set of earbuds at a very competitive price.

Bowers & Wilkins has a long history of producing high quality headphones and speakers, and the attractive sound quality provided by its PI5 wireless earbuds doesn’t disappoint. Available in black or white, the PI5 also includes active noise-cancellation and a wireless charging case for a price of £199.00 that makes it an excellent alternative to the AirPods Pro.

Admittedly, the chunky design of the earbuds may not suit everyone, but B&W includes three sizes of eartips to help you get a good fit, and the earbuds have an IP54 rating for water and dust resistance, so they’re sturdy enough to cope with life outdoors.

Sound quality is excellent, and the PI5 supports both Apple’s AAC and AptX for Bluetooth audio, so they’ll be a good option for non-Apple devices too. There’s a terrific, relaxed feel to the opening guitar riff on The Rolling Stones’ Start Me Up, and the PI5 perfectly catches Charlie Watts’ precise, unfussy drumming. But switch to Prime Evil by The Orb, and the PI5 digs really deep to deliver the dance track’s sinister bass effects with an impressively slinky rhythm. The noise-cancellation features work well too, doing a good job of blocking out background noise without making any noticeable different to the sound quality. And, like most headphones these days, they also provide an ‘ambient’ mode that allows you to listen out for background sounds when you need to.

Battery life could, perhaps, be a little better, lasting for 4.5 hours when using noise-cancellation. However, that’s similar to the more expensive AirPods Pro, and the wireless charging case allows you to charge the earbuds three more times when you’re away from home.

Launched in 2019, the AirPods Pro finally adopted a more modern design that uses silicon eartips to provide a firmer, more secure fit, as well as providing active noise-cancellation (ANC) features that many rival earbuds have had for quite some time. Needless to say, the AirPods Pro is more expensive than previous AirPods models, although it’s not out of line with similar high-end earbuds – and, of course, they’re less than half the price of the crazy expensive over-ear AirPods Max.

There are three sizes of silicon eartips provided with the AirPods Pro, so most people should be able to get a good fit, and these are the first AirPods that I might wear for exercise or running without having to worry about them falling out the whole time. It’s easier to control your music too, as the little sensor on the stem of the earbuds is more sensitive and easy to use than on the standard AirPods.

The firmer fit also helps with the sound quality, and the AirPods Pro definitely sound better than the standard AirPods (either 2nd or 3rd gen models). The bass on You Should See Me In A Crown by Billie Eilish has a deep, threatening tone that suits the mood of the song, and is noticeably stronger than on the 3rd gen AirPods. The AirPods Pro also catches all the little details on higher frequencies too, such as the nervous energy of the percussion that ticks away in the background.

The noise-cancellation features work well too, and there’s a ‘transparency’ mode that allows you to pay attention to sounds around you when required. The only disappointment is that battery life is just 4.5 hours when using noise-cancellation, although the wireless charging case does let you top up the battery for a total of 24 hours playing time when you’re travelling.

It seems that the third-generation version of the AirPods has struggled a bit since its launch in 2021, as many people still seem happy to opt for the less expensive second-gen model, which is still on sale for $129/£119.

Admittedly, the AirPods (3rd Generation) are a full £50 more expensive, at $179/£169, but Apple’s argument is that the entirely new design of the third-gen model, and additional features such as wireless charging and improved battery life are worth the extra cost. You can immediately spot the differences between the two models, with the newer AirPods having a shorter stalk, and a more compact earpiece that is slightly angled in order to fit more securely inside your ear. However, they still don’t use silicon eartips that would provide a firmer fit – that’s only an option with the even more expensive AirPods Pro – and I personally found it quite easy to dislodge the AirPods from my ears.

The sound quality is very good, though, thanks to a new custom-designed driver inside the earpieces. This produces a more balanced sound than its predecessor, producing a sinister bass rumble on Billie Eilish’s You Should See Me In A Crown. This model also provides spatial audio and head-tracking for watching films and video too, along with a wireless charging case. Battery life is better too, lasting for six hours on a single charge, or 30 hours in total with the charging case. It’s a shame, though, that the AirPods (3rd Generation) don’t also provide active noise-cancellation (ANC), so if you need that feature then you’ll have to pay even more for the AirPods Pro, at $249/£239, or opt for one of the cheaper rival earbuds that we also review here.

Wireless earbuds, as you probably know, are all the rage but not everyone can afford a pair of AirPods let alone the AirPods Pro. Luckily there are cheaper alternatives around and Cambridge Audio has put together a rather attractive pair.

The Melomania 1 have a reasonable MSRP of $139/£119, but can easily be found for under $100/£100 putting them into budget range, despite being extremely high quality.

These earbuds are very small and light, a simple bullet shape makes them unusual, but they fit very securely and comfortably. An IPX5 rating means they are splash and sweat resistant, so they won’t break if you get caught in a shower.

The compact size also means a very small charging case so these are super portable. The case has decent magnets to hold the earbuds in and a set of LEDs on the front to indicate battery level.

Despite the small size, the Melomania 1+ have very strong battery life. The earbuds can last up to nine hours on their own and the case can charge them another four times, resulting in a whopping total of 45 hours.

Physical buttons on each earbud may be preferable to some users compared to touch-sensitive ones. They are easy to press accidentally when putting the headphones in or adjusting them but once in place means you don’t ram them into your ear canal. There’s plenty of control but you’ll have to learn all the different button presses for.

Microphones mean you can use the Melomania 1+ for phone calls and for using Siri.

All of this would be pretty pointless if the sound quality wasn’t good, but you can rely on a company like Cambridge Audio. 5.8mm drivers are ‘enhanced’ by graphene and there’s Bluetooth 5.0 connectivity along with both AAC and aptX codecs.

The sound is clear and spacious with plenty of bass and mid-range and enough top-end to keep things bright. The tuning is well balanced so the earbuds sound good for a wide range of content.

You will struggle to find better true wireless earbuds at this price. The only thing missing is noise cancelling.

Sennheiser releases quite frequent updates for its Momentum range of headphones, and the latest addition to the range is the Momentum Free, priced in the UK at £170 and available in the US for around $200 under the name HD1 Free.

The company claims the Momentum Free is its most compact set of Bluetooth headphones, weighing just under 40g, and with only a short neckband connecting the two earpieces.

They don’t cut any corners, though, including a three-button remote control and microphone for voice calls. There are some clever touches too, such as the magnetic earpieces that cling together over your neck in order to keep them safe when they’re not being used. The headphones support standard Bluetooth, AptX and Apple’s AAC format, so they’re a good choice for both iOS and Android devices.

Battery life is around six hours, which isn’t too bad for such a compact set of headphones. It’s shame, though, that Sennheiser couldn’t stretch to a charging case.

Sound quality is excellent, though, with the trademark Sennheiser sound that combines rich, warm vocals with plenty of detail. The bass response is good too, with the frequency range starting at 15Hz, a little lower than many small in-ear headphones. We were also pleased to see that Sennheiser includes no less than four different sizes of ear-tips, to help you get a firm, comfortable fit.

Buying Beats headphones used to mean splashing the cash but that’s no longer the case and the Beats Flex are the cheapest ones yet at just £49.99/$49.99.

These are colourful – unless you get the black ones – neckbuds that keep things simple for those unable to drop hundreds on a pair of headphones. Apart from black, they are available in Yuzu Yellow, Smoke Grey and Flame Blue.

While wireless earbuds are the booming part of the market, neckbuds shouldn’t be underestimated. The design means that you won’t lose an earbud if it falls out and you can simply leave them having around your neck when they’re not in use.

Like many others, the two earbuds contain magnets so they snap together when you’re not using them. The band is made from a sturdy material called Nitinol and a control module on the left-hand side provides volume and playback controls, as well as a mic for voice calls.

At just 18.6g total, the Beats Flex are good if you do plan to go running or similar. Note that they don’t offer any official IP waterproof rating, although the rubber-like build should keep out splashes.

As you would expect, pairing them with Apple products is a breeze and you can also use the Audio Sharing option to stream your music to a friend who has a compatible set of AirPods or Beats headphones.

With 12 hours of battery life, they last longer than wireless earbuds and a ‘fast fuel’ feature means you can get 1.5 hours of playback from a 10-minute charge over USB-C.

The low price doesn’t mean bad sound either and “The deep bass on Bad Guy by Billie Eilish has a firm, rhythmic pulse that drives the song forward. There’s a nice crisp sound to the finger-snaps that punctuate the song, and the Flex really captures the shrug-of-the-shoulders tone as Billy pronounces “duh…” halfway through. There’s plenty of detail, too, as the Flex picks up all the multi-layered harmonies on Queen’s Somebody To Love.

The Flex can even handle more delicate classical sounds, capturing the sad, mournful tone of the cello and violin as they slowly weave through the air on Max Richter’s On The Nature Of Daylight.”